Posts belonging to Category Exposition

Getting to the Plan

Yesterday, I talked about the problems with having antagonists who Have a Plan that nobody in the audience can figure out. For the writer without an outline, though, or the GM improvising around the PCs, it can be difficult to make absolutely sure that the plan gets across. Here are some strategies to keep it [...]

What Plan, Dangit?

Readers, it has often been said that I like antagonists with Plans. I like antagonists with Plans. I love antagonists with Plans. I love the ones who can tell you every little detail, particularly the parts that you’re going to have to fit right into, but they’ve got it so thoroughly figured out that you [...]

Points of Resonance

Yesterday, I talked about the importance of getting places to resonate with the people in a world and thus through them with the audience, even before anyone actually sets foot there, and talked about what sorts of factors might give the places that resonance. The next step, then, is to figure out what sorts of [...]

A Resonance of Place

One of the things I’ve always loved about a good world-building is a sense of place: the idea that after a little while, hearing a place name alone will bring in all the echoes of what the place actually means to the characters. It’s important, particularly in a narrative that bounces about between cities and [...]

The Double Life of In-World Slang

One of my favorite things about new worlds, particularly settings with a subculture-high, inner-city emphasis to them, was all the nifty slang I was going to run into. People would throw around all sorts of colorful similes and metaphors referencing things I’d never heard of, and I’d read through and grin and take note for [...]

I Don’t Think Like You, All Right?

When we’re dealing with characterization, most of us have a tendency to write what we know—we’re used to the things we prioritize, and often figure out our characters based on “accepts this premise—rejects that one—ignores that one entirely….” Sometimes, though, we see characters who operate on a principle that just doesn’t resonate with our audience, [...]

The First Rule of Starting an RPG

An RPG doesn’t need to start with every little detail worked out. It helps, but it’s not necessary. I’ve seen games with rules for half-built characters, and games where the characters were talking IC and nobody’s sheet was even remotely finished. There are games where you can get away delegating figuring out what brought the [...]

Character Exercise: Conclusions IC

Yesterday, I introduced an exercise for two people based on taking information and drawing conclusions. But there’s another use for it, one that can be done with two people but works just as well with one, one that’s a little more character-driven.
It’s pretty much the same sequence of events, with one minor difference: instead of [...]

The Multipurpose Scene

Some of us have nice simple plots and worlds, and this is just fine. They’re straightforward, each scene doesn’t need to do too much at once, so they can focus on getting one plot to work well. And then there are some of us who have a tendency to try to juggle multiple plotlines, build [...]

Beyond “Five More Minutes”

So the character’s just waking up, and is in that foggy haze between the dreaming and waking world—awake enough to be audible, asleep enough to not quite reach the point of lucidity. For her, it might be a good time to either pull the covers tighter and go back to sleep, or to get up [...]